FICTIONAL FRIDAY: TRIGAN CITY

RIDAY, 26 SEPTEMBER 2014

FICTIONAL FRIDAY: TRIGAN CITY

From left: King, Architect, Other Guy. Credits: Probably Don Lawrence

While looking for a desk chair at a flea market last Sunday, I stumbled upon a comic book which I'd never heard of before. However, it contained pictures of fantastic cities, dams blowing up and futuristic technologies mixed with ancient and diverse artistic references, so I paid a few kroner for it, and brought it home.

Turns out, this was the first story of the infamous(/famous?) sci-fi/historical fantasy comic book series called The Rise and Fall of the Trigan Empire, which enjoyed a long life considering its genre, continuously published between 1966 and 1982. There's actually a rather large focus on architecture and cities in the series, and the architect Peric is one of its main characters. The imaginations of writer Mike Butterworth and artist Don Lawrence should probably share the credits for the interesting concepts.

The Trigan City is, like many other visual elements of the series, a fantasy on Ancient Roman features. White stone, columns (columns, columns), pediments and round arches are recognisable parts of Roman classicism, whereas onion domes, spires and other features of medieval architecture pierce the horizon and prevent monoton

dance room

What is the relationship between the body and architecture? Are rooms all about seeing, or should designers also take in account sensory experiences such as touch, sound, smell, temperature and balance?  And do we use the whole space of the rooms we are in, or do we simply stick to restricted movements through restricted zones?

Picture credits: Not me. Sia, I suppose?

In this rather amazing music video, 11 year old Maddie Ziegler performs a choreography that to an (to my eyes) unusual degree, engages with the room in which it is performed. Sia's rihannesque (they've collaborated earlier) song is complemented by Siegler's moves through what looks like an early 20th century apartment, with rough and stained surfaces. She moves from room to room, playing with light and shadow, as well as constantly interacting physically with the shapes and borders of the spaces in new ways.

Although I unfortunately can't use or experience a room this way myself, due to my being a well below average dancer, I think this video serves as a reminder of the possibilities that lie in the meeting between bodies and rooms, possibilities that perhaps should be more explored by both designers, dancers and daily users of architecture.

P.S. If you (as I) were truly fascinated, have a look at the one-take version of the video at The Guardian. A bit rougher than the official video, it's perhaps even more captivating in the unrefined honesty of what was happening on the set.

DANCE THE FACADE

More dance! As a follow-up of my last post, I got several tips about the phenomenon I now know by the name of site-specific dance. This example is a particularly lovely one, which a dancer (Thanks, Karin!) tiped me of. The performers from Project Bandaloop, suspended in ropes, are using the context of an old stone and terracotta facade as a means to create a new and interesting interaction between body and architcture. The variation between windows and walls become variations in movements, with jumping and landing movements enhanced by the slow speed allowed by the suspension, leading me to speculate about toher ways architects could encourage diffent ways of moving.

"Oakland City Hall 1917" by Oakland Chamber of Commerce, Publicity Bureau -http://imgzoom.cdlib.org/Fullscreen.ics?ark=ark:/13030/kt7199q9d0/z73. Licensed under Public domain via Wikimedia Commons.

The building is Oakland City Hall, designed in the Beaux-Arts style by architects Palmer and Hornbostel and completed in 1914. A steel-frame building, it was damaged in an earthquake in 1989, but had its foundations redesigned to withstand new earthquakes.

Lovely, simple music by William Ryan Fritch.

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THURSDAY, 2 OCTOBER 2014

DANCE THE ROOM

What is the relationship between the body and architecture? Are rooms all about seeing, or should designers also take in account sensory experiences such as touch, sound, smell, temperature and balance?  And do we use the whole space of the rooms we are in, or do we simply stick to restricted movements through restricted zones?

Picture credits: Not me. Sia, I suppose?

In this rather amazing music video, 11 year old Maddie Ziegler performs a choreography that to an (to my eyes) unusual degree, engages with the room in which it is performed. Sia's rihannesque (they've collaborated earlier) song is complemented by Siegler's moves through what looks like an early 20th century apartment, with rough and stained surfaces. She moves from room to room, playing with light and shadow, as well as constantly interacting physically with the shapes and borders of the spaces in new ways.

Although I unfortunately can't use or experience a room this way myself, due to my being a well below average dancer, I think this video serves as a reminder of the possibilities that lie in the meeting between bodies and rooms, possibilities that perhaps should be more explored by both designers, dancers and daily users of architecture.

P.S. If you (as I) were truly fascinated, have a look at the one-take version of the video at The Guardian. A bit rougher than the official video, it's perhaps even more captivating in the unrefined honesty of what was happening on the set.

FRIDAY, 26 SEPTEMBER 2014

FICTIONAL FRIDAY: TRIGAN CITY

From left: King, Architect, Other Guy. Credits: Probably Don Lawrence

While looking for a desk chair at a flea market last Sunday, I stumbled upon a comic book which I'd never heard of before. However, it contained pictures of fantastic cities, dams blowing up and futuristic technologies mixed with ancient and diverse artistic references, so I paid a few kroner for it, and brought it home.

Turns out, this was the first story of the infamous(/famous?) sci-fi/historical fantasy comic book series called The Rise and Fall of the Trigan Empire, which enjoyed a long life considering its genre, continuously published between 1966 and 1982. There's actually a rather large focus on architecture and cities in the series, and the architect Peric is one of its main characters. The imaginations of writer Mike Butterworth and artist Don Lawrence should probably share the credits for the interesting concepts.

The Trigan City is, like many other visual elements of the series, a fantasy on Ancient Roman features. White stone, columns (columns, columns), pediments and round arches are recognisable parts of Roman classicism, whereas onion domes, spires and other features of medieval architecture pierce the horizon and prevent monotony.

MONDAY, 22 SEPTEMBER 2014

SNOW IN FLORIDA

Perhaps you know this very well, but there is a place called Celebration, a small town in Florida, built by the Walt Disney Company. An early example of New Urbanism put into practice, the people in this town seem to be living (that's right, they live there for real) on the very edge of reality as we know it. The idea of letting it snow in Florida is rather surreal by itself, but accompanied by music and voices seeming to come from nowhere in particular, it's beyond weird, seen with my European eyes.

And on the other hand: What if this works for the people who live there? Celebration is a walkable town, and people make real friendships there, just by passing each other by on porches or the sidewalks. At least it's an alternative to suburban sprawl, isn't it? And what are the alternatives? How much "real" traditional urbanism is there in the US?

I'd never live in Celebration, but perhaps we'll have to let fantasy play a bigger part in architecture when dealing with the need for reshaping society to meet the ecological crisis ahead. Is Celebration a definite answer? Absolutely not. Is it an interesting question? I would say yes.

WEDNESDAY, 17 SEPTEMBER 2014

SKATING IN ORDOS

What do you do with a city built for 300 000 people, but with a population of less than 10% of that? (It's Inner Mongolia, I don't blame humanity for not moving.) We're talking large urban spaces, attempts at innovative architecture, oversize bronze horses galloping across stone plazas, organic concrete shapes and four-lane roads without cars.

You bring your skateboard, of course.

The poetically named Kangbashi New Area, Ordos. Not Bregna.

FRIDAY, 12 SEPTEMBER 2014

FICTIONAL FRIDAY: RIGEL VII

So, thanks to Netflix I've started  watching the original Star Trek-series, here represented by the Orient-inspired (Jerusalem meets Lhasa) Riegel VII. I'm rather amazed, but as George Takei (who by the way was very hot back then) would say: Oh myyy!

SATURDAY, 30 AUGUST 2014

NUDE CLASSICISM

No, it's not a library from Fascist Italy. Behold the Leisner Auditorium of the George Washington Univeristy in Washington DC! When everyone else was doing "stripped-down" classicism in DC in the 40s, architects Faulkner and Kingsbury decided to go completely naked with the Auditorium, named after a donor and finished in 1943.

A symmetric building clad in limestone, it only hints at classical roots, with a level of detail some might find to be a bit harsh, while others may think the structure to be strikingly modern and intense in its austerity. I'd call it a guilty pleasure, I suppose. Inhuman and amazingly ruthless though it is, the shadows cast by its narrow porch, the dynamic of the three entrances invisible from each other, and the soft patina of the stone walls in my opinion makes it good enough to deserve its place. If I could make one wish, it would have been for the pillars to be of massive limestone, or at least not as obviously clad in rather thin plates of it.

At night, 1946

The building has been used both for concerts, movie screenings, lectures and debates throughout the years, and continues to function as a gathering place in modern day DC.

River Horse, 1996

In front of the building stands the sculpture called River Horse (artist unknown), given as a gift in 1996. A plaque on the base reads

Legend has it that the Potomac was once home to these wondrous beasts.

George & Martha Washington are even said to have watched them cavort in

the river shallows from the porch of their beloved Mount Vernon on summer evenings.

Credited with enhancing the fertility of the plantation, the Washingtons believed

the hippopatamus brought them good luck & children on the estate often attempted

to lure the creatures close enough to the shore to touch a nose for good luck.

So, too, may generations of students of the George Washington University.

Art for wisdom,

Science for joy,

Politics for beauty,

And a Hippo for hope.

The George Washington University Class of 2000

August 28, 1996

FRIDAY, 29 AUGUST 2014

FICTIONAL FRIDAY: SIDONIA

Long after the destruction of our Solar System, the space station city state of Sidonia may be the last remnant of mankind. In the newish Netflix series Knights of Sidonia, we observe what happens when an outsider from the deep and mysterious foundations of the city enters the world above, and goes further into space to fight the monsters that threaten the city's existence.

The city of Sidonia is a curious place. Unlike so many other visions of the future, a certain degree of organised complexity seems to the the principle with which it has been formed. The steel and glass skyscrapers which are at the core so many visions of the future are very absent, and in their place, we find an amazing diversity.

Artificial landscapes, bodies of water and immense structural skeletons of metal actually seem to be complemented by masonry buildings, with facades reminiscent of fortified European architecture, modern Japanese structures and weightless Middle Eastern villages stacked on top of each other. 

Hipped roof with terracotta tiles and what looks like green copper cladding, external staircases, courtyards, cloisters and even streetscapes give these conglomerates a wonderful amount of variation. Especially interesting is the way it all seems to have grown over time, with additions, nooks, balconies, bridges and towers. However, it all comes together as a rather harmonious-looking built environment, forming an effective background for the dramatic actions of the series. I'm fascinated.

PS. If you'd like to check out some real world-attempts at the same thing, check out the work of Ricardo Bofill, or MVRDV's Vertical Village concept.

WEDNESDAY, 20 AUGUST 2014

PUMPKIN TUNNEL

Picture credit: Pinterest, I think

Today in outdoor architecture: A super cool tunnel made of steel and living pumpkin plants. The colour, the contrast between the geometry of the steel and the organic shapes of the plants, and the amazing filtering of the light all come together to make this an unusual and interesting space. Would love to put one of these in my garden, or even in the grounds of a school or public building.

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KRISTIAN HOFF-ANDERSEN

COPENHAGEN, DENMARK

A young man studying to be an architect at The Royal Academy in Copenhagen, Denmark. I'm engaged in environmental questions, love to read, swim and walk barefoot. Through this blog, I'm trying to document my education, observations and development as an architect. Unless otherwise stated, the pictures have been taken by yours truly, and can be used freely with credit.

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